‘Beary Season’
Hand Burned Original
My largest and most intricate piece to date,
Inspired by a summer spent getting lost among the wildberries,
Featuring over 30 different hand burned plant and animal species,
’Beary Season’ is an embodiment of my life in the Kootenay Mountains.
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I started this piece on August long weekend, and I predicted it would take maybe a week or two at most; I figured I could probably get two of these big pieces done.
I seriously miscalculated.
I worked on this piece for minimum ten hours, every single day from the beginning of August until mid September. Hundreds of hours.
There is not a single square inch of this piece that I have not obsessed over, not a single detail that I have overlooked or left out. There is no filler spaces, filler plants or blurs- everything is depicted accurately and with great detail: From the veins on the plant leaves, to the hairs on the mice.
It was important to me for this piece to be accurate as far as size proportions for the animals and plants in relation to one another, as though you're viewing the undergrowth and the canopy at the same time from a slight distance, with the bear looming in the background. I wanted to ensure that everything was cohesive and accurate: the mice are slightly smaller than the chipmunks, the bugs are smaller than the mice, the berries are all accurate sizes compared to each other, as are the leaves, and the plants to animals and vice versa.
I had no solid plan laid out for this piece; I started with the bear and then I slowly added the rest of the plants and animals one by one as I went along. Spending a lot of time in the woods allows me to easily reference how these plants and animals would intermingle, drawing from the sights I see daily.
This piece is expertly textured: giving depth and realistic details, and no coloured mediums have been used; the different shades have been accomplished by burning and sanding the piece only. The piece seems to transform throughout the day, highlighting new details or creating shadowy depth as the natural light moves across the room and across the textures.
There are over 30 plants and animals species included in this piece: all ones that I have personally encountered out in the wilds around my home, some on a daily basis. I have used many of my own photo's for reference as well as using the physical plants.